When Garth became the first new Dredd writer to take over the reins since the days of Wagner and Grant he got a lot of criticism for following too closely in their footsteps and not doing his own thing. Nearly twenty years and a dozen or so new guys later and anybody who deviates from the established Dredd style gets the crits.
What's interesting about Garth's last scripts for Dredd - Goodnight Kiss, Helter Skelter and Monkey on My Back - is that here he actually shows us a new take on Dredd which doesn't contradict what's gone before.
This is Dredd firmly back as the hero, more specifically the cowboy hero.
I'll admit to not being a great fan of Helter Skelter, but even in an Ennis script I don't like there's usually something good in there: a great piece of dialogue, a cool set piece - something.
Goodnight Kiss, despite the idea of a small gang of horseriding marshals taking on the might of Mega-City One, is pretty damn cool. There are some fantastic scenes in there and that final page, had it been drawn by Ezquerra ( And no offence to Mr. Percival, who does a great job here, but there is only one Carlos) would rival "Who the hell's gonna mess with us" for coolest page in a Dredd strip.
And then there's Monkey on My Back. This seems to me to be Ennis's most accomplished work on Dredd. It's great.
- Huey