Yeah, I really enoyed House of Damon too, although it did slide steadily downhill from a great opening, as they moved through the house. Hell's Kitchen was a good concept, but by the time we got to Beelzebub's Boxroom (or whatever) it was a bit tired.
Ditto The Tower King, which had superb art and the silliest bit of pseudo-scientific rationale ever, and started off with some genuinely creepy post-apocalyptic stuff (the Tube Rats swarming up the escalators - I never go on the Underground without thinking about that image), before settling into a tiresome routine of Fabio rescuing the Cutesy Kids, a sort of Pirates-era Dante in chainmail.
This leads me to wonder whether we were again looking at launch-scripts by the usual suspects (Mills, Wagner, GFD, Grant?), before handing over to 'lesser' lights. I know Mills stayed on Dare for a good while, and gave us the frankly excellent Fists of Danny Pike, but how many of the 'founders' stayed on board?
